Johnny Mnemonic, Robert Longo (1995) New Rose Hotel, Abel Ferrara (1998) Solaris, Andrei Tarkovsky (1971) Perfect Blue, Satoshi Kon (1997) Near Dark, Kathryn Bigelow (1987) Strange Days, Kathryn Bigelow (1995) Boarding Gate, Olivier Assayas (2007) Jean-François Lyotard, Libidinal Economy (1974) Version History, Metahaven (2018) Suspiria, Dario Argento (1977) Demonlover, Olivier Assayas (2002) Man Bites Dog, Rémy Belvaux, André Bonzel and Benoît Poelvoorde (1992) Sigmund Freud, The Interpretation of Dreams (1899) Jean-François Lyotard, The Postmodern Condition (1979) Akira, Katsuhiro Otomo (1988) Lisa Robertson, Cinema of the Present (2014) François Cusset, How the World Swung to the Right (2018) Unsane, Steven Soderbergh (2018) Scanners, David Cronenberg (1981) Annihilation, Alex Garland (2018) Cam, Daniel Goldhaber (2018) Kodak, Andrew Norman Wilson (2018) Mediums, James N. Kienitz Wilkins (2018) The Mummy, Terence Fisher (1959) Unfriended, Levan Gabriadze (2014) The Wind is Whistling Under Their Feet, Gyorgy Szomjas (1976) Drowning by Numbers, Peter Greenaway (1988) The Other Side of the Wind, Orson Welles (1976/2018) Sigmund Freud, Beyond the Pleasure Principle (1920) J. G. Ballard, Crash (1973) The Serving Library #12 (2016) “The Audience is Tested” at Anthology Film Archives (shorts) Pulse (Kairo), Kiyoshi Kurosawa (2001) Information Skies, Metahaven (2018) Raymond Williams, Television: Technology and Cultural Form (1974) Angel’s Egg, Mamoru Oshii and Yoshitaka Amano (1985) James Joyce, Ulysses (1922) Yuji Agematsu at Miguel Abreu Gallery Extreme Private Eros: Love Song 1974, Kazuo Hara (1974) Les Rallizes Dénudés, Ethan Mousike (1992) Fyre, Chris Smith (2019) Hannah Frank's Frame by Frame at Light Industry (selected Looney Toons/Disney shorts) Jean Baudrillard, The System of Objects (1968) Juliana Spahr, Du Bois’s Telegram: Literary Resistance and State Containment (2018) Taxi Driver, Martin Scorsese (1976) Malatesta’s Carnival of Blood, Christopher Speeth (1973) A Dedicated Life, Kazuo Hara (1994) Eolomea, Hermann Zschoche (1972) Midsommar, Ari Aster (2019) The Emperor’s Naked Army Marches On, Kazuo Hara (1987) Trisha Low, The Compleat Purge (2013) “Cutting the Stone” Miguel Abreu Gallery group show (2019) Candice Lin at Ludlow 38 (2019) somniloquies, Lucien Castaing-Taylor and Verena Paravel (2017) Byung Chul-Han, Shanzai: Deconstruction in Chinese (2017) I Forgot!, Teddy Williams (2014) Endnotes 1 (2014) The Wind Will Carry Us, Abbas Kiarostami (1999) Gilles Châtelet, To Live and Think Like Pigs (1998) Death Note, Tetsurō Araki (2007) Routine Pleasures, Jean-Pierre Gorin (1986) Ghost in the Shell 2: Innocence, Mamoru Oshii (2004) Knight of Cups, Terrence Malick (2015) Blade Runner 2049, Denis Villeneuve (2017) Gilbert Simondon, On the Mode of Existence of Technical Objects (1958) Das Netz, Lutz Dammbeck (2003) Juliana Huxtable at Reena Spaulings Gallery 025 Sunset Red, Laida Lertxundi (2016) Parasite, Bong Joon-Ho (2019) Steven Shaviro, No Speed Limit: Three Essays on Accelerationism (2015) Spencer Longo at King’s Leap (2019) The Island, Michael Bay (2005) Chronopolis, Piotr Kamler (1982) 88:88, Isiah Medina (2015) J.G. Ballard, Concrete Island (1974) Serial Experiments Lain, Yoshitoshi ABe (1998) Uncut Gems, Josh and Benny Safdie (2019) Notes on an Appearance, Ricky D’Ambrose (2018) Z = |Z/Z•Z-1 mod 2|-1: Lavender Town Syndrome and Z = |Z/Z•Z-1 mod 2|-1: The Old Victrola, Andrew Norman Wilson (2020) Black Legion, Archie Mayo (1937) Detour, Edgar G. Ulmer (1945) Mark Fisher, Ghosts of My Life (2014) The Master, Paul Thomas Anderson (2012) Inherent Vice, Paul Thomas Anderson (2014) Adam’s Rib, George Cukor (1949) God Told Me To, Larry Cohen (1978) Ghosthouse, Umberto Lenzi (1988) Labyrinth of Dreams, Sogo Ishii (1997) State of Siege, Costa-Gavras (1972) Inventing the Future, Isiah Medina (2020)

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